PHOTOGRAPHER: WRITING WITH LIGHT
The L. Ron Hubbard Series
From shutter click to final print—there is no aspect of the photographic process L. Ron Hubbard did not master. Here, then, is a photographic journey of rare depth, insight and beauty.
I won’t take a photograph of anybody or photographs for anybody unless I feel it will do them some good.
—L. Ron Hubbard
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CONTENTS
- An Introduction to L. Ron Hubbard
- First Frames
- The Kodak Brownie Jr.
- Guam
- China
- Adventures and Expeditions
- The Caribbean Motion Picture Expedition
- The Puerto Rican Mineralogical Expedition
- Voyage to Alaska
- Stereo Photography
- Photographs from the Formative Years of Scientology
- Greece
- The Canon
- New Photographic Vistas from Saint Hill
- The Rolleiflex Collection
- The Saint Hill Darkroom
- The Rear Screen Projector
- Letter to Professor Land
- Sir Robert Fossett’s Circus
- Selections for Exhibition
- The Deardorff
- Self-Portraits
- The Linhof
- Is It Art? by L. Ron Hubbard
- A Photographic Holiday
- Nikonos Underwater Camera
- The Voigtländer
- Flamenco Dancers
- The Bullfight
- Ports of Call
- The Rollei 35
- The Gandolfi
- Mamiya C33
- The Photo Shoot Organization
- Cameras of the Photo Shoot Organization
- The Lisbon Maritime Museum
- The Synagogue of Mikvé Israel-Emanuel
- On Behalf of the New York Explorers Club
- The Curaçao Bridge
- Portrait of a Caribbean Minister
- Filters
- Color Temperature
- The SEI (Salford Electrical Instruments) Meter
- The Latter Years
- The Minox
- Minolta CLE
- Gadget Bag
- The 35mm Systems
- Leica
- The Camera Room
- Testing
- Instruction
- Notes on Composition by L. Ron Hubbard
- Camera Stable Data by L. Ron Hubbard
- One Last Image
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